captain america civil war terminal call of duty

We do our best early and we keep coming back and writing versions of that but every time we come back and write a version of it, we have more material, so somebody from visual effects has come up with a gag and, 'Oh, we've gotta use that.' Or, you get Spider-Man, and you go, 'Well, I guess Spider-Man and Cap need three minutes.

Always the same but many things changed around that. 'From jump street: Giant Man, Rhodie goes down, Vision is the one that sends him there, that's what stops it enough for to get away. We went through hundreds of iterations from the script level to a visual effects level,' McFeely chimes back in.

Natasha and Clint have beat each other up several times before but there are some people who have very serious issues together, so, you want to pace them and place them so that the thing has a shape that it's getting more serious as it goes on until it becomes as grim as possible and we break Rhodie's back.' In a 17-minute sequence shot completely in IMAX, Iron Man.

Some people have relatively comic friction. Captain America: Civil War features the biggest super hero battle in cinematic history.

'It's mainly deciding what characters need to interact and who has the biggest issues and where that should come. We do the first version of it which is mainly shots in the dark about effects and things like that,' Christopher Markus adds.

Captain america civil war terminal call of duty